Brazilian Cavaquinho Fingerboard Layoutīelow is a table to show how you can achieve Brazilian cavaquinho tuning using a guitar or piano keyboard:īrazilian Cavaquinho Guitar Piano 1st String (D) 1st String (E) fretted at the 10th fret 2nd D above middle C 2nd String (B) 1st String (E) fretted at the 7th fret 1st B above middle C 3rd String (G) 1st String (E) fretted at the 3rd fret 1st G above middle C 4th String (D) 2nd String (B) fretted at the 3rd fret 1st D above Middle CĪnd here’s how to use Brazilian cavaquinho tuning, by tuning a cavaquinho to itself: Within this context, the cavaquinho is used both as a melodic instrument as well as providing a chordal accompaniment. These were supplemented by percussion including a relative of the tambourine called the pandeiro ( pan-dare-ro). The original form of choro was generally limited to a guitar, cavaquinho and flute, but gradually, over time, other instruments were introduced including the mandolin, trumpet, trombone, saxophone and clarinet. The other popular form of music associated with the Brazilian cavaquinho, choro ( shorro), typically features uptempo rhythms set against a cheerful melodic structure, relying heavily on improvisation. In modern times, the samba has branched off into other similar forms, including the bossa nova, which encompasses elements of jazz, popularised by composers such as Carlos Antonio ‘Tom’ Jobim, the writer of such standards as The Girl From Ipanema, One Note Samba and Desafinado. Samba music can be traced back to West Africa via the slave trade, taking in the complex polyrhythms originating in areas of the Congo. DGBE is also standard tuning for the baritone ukulele, albeit an octave lower.Ī smaller version of the Brazilian cavaquinho also exists and is generally referred to as a Cavaco ( cav-acko).īoth instruments are used extensively in Brazilian samba and choro music. In Brazil, the cavaquinho is nearly always tuned to an open G major chord ( DGBD), with the exception of some players who find DGBE better for playing solos. Here are a selection of chords for the Portuguese cavaquinho tuning, graded by difficulty (the more green dots, the harder the chord). Here’s the Portuguese cavaquinho staff notation:Ĭavaquinho Chords in Portuguese CGAD Tuning Portuguese Cavaquinho Fingerboard Layoutīelow is a table for Portuguese cavaquinho tuning to a guitar or piano keyboard: Portuguese Cavaquinho Guitar Piano 1st String (D) 1st String (E) fretted at the 10th fret 2nd D above middle C 2nd String (A) 1st String (E) fretted at the 5th fret 1st A above middle C 3rd String (G) 1st String (E) fretted at the 3rd fret 1st G above middle C 4th String (C) 2nd String (B) fretted at the 1st fret Middle CĪnd here’s how to use Portuguese cavaquinho tuning, by tuning a cavaquinho to itself: Some players use other fingers to achieve the same result, but this is the most common method of strumming. This involves a rolling motion using the thumb and index finger. Technique-wise, the Portuguese cavaquinho is played in a style called rasgado ( has-gardo). On the other hand, if you’re adventurous and rather fancy a conversation starter, the Preston-style tuners are sure to turn heads and raise the odd question or two. Tip: If you’re beginning on your Portuguese cavaquinho journey, I’d advise you to start off with the standard slotted headstock design if you can, as tuning is a little more straightforward and less fiddly. The tuning isn’t totally dissimilar from the Brazilian instrument, but drops the second and fourth strings down a full tone ( A instead of B and C instead of D). This style of tuner is also used on the Portuguese guitar (or guitarra portugesa). Some models have a standard slotted headstock like a classical guitar, whereas others feature the instantly recognisable Preston cylindrical or watch-key tuners on a fan-shaped headstock. Where the Portuguese instruments differ from their Brazilian cousins is mainly in the smaller size (like a soprano uke) and a fingerboard terminating at the twelfth fret. There’s the Lisbon (or Lisboa – leezsh-boa) from the capital, and the Minho ( meen-yo) from the Minho Province in the north of the country. Two main forms of the cavaquinho are popular in Portugal, originating in different regions of the country. Similar Instruments to the Traditional Cavaquinho Cavaquinho Portuguese Tuning – CGAD.What’s the Difference Between a Ukulele and a Cavaquinho?.Chords for Mandolin Cavaquinho GDAE Tuning.Cavaquinho Mandolin Tuning Fingerboard Layout.Cavaquinho Ukulele Tuning Fingerboard Layout.Chords for Cavaquinho Brazilian DGBD tuning.Brazilian Cavaquinho Fingerboard Layout.Cavaquinho Chords in Portuguese CGAD Tuning.Portuguese Cavaquinho Fingerboard Layout.
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